Punch, or the London Charivari, Volume 100, June 27, 1891   By: Various

Punch, or the London Charivari, Volume 100, June 27, 1891 is a collection of humorous and satirical cartoons, articles, and jokes that provide a fascinating glimpse into the political and social issues of late 19th-century England. The witty commentary and clever illustrations offer a unique perspective on the events of the time, highlighting both the absurdity and the seriousness of the era's concerns.

The writing is sharp and sophisticated, with a keen eye for detail and a knack for poking fun at the foibles of the day. The illustrations are equally impressive, capturing the essence of the characters and situations with humor and skill. From political scandals to fashion trends, no topic is off-limits for the satirical wit of Punch.

Overall, Punch, or the London Charivari, Volume 100, June 27, 1891 is a delightful read that will appeal to fans of satire, history, and British culture. It is a valuable resource for those interested in exploring the world of Victorian humor and social commentary. Highly recommended for readers looking for a light-hearted yet insightful look at the past.

First Page:

SCENE. Hyde Park. Demonstration in progress, with the not unreasonable object of inducing Parliament to extend the Factory Acts to small and insanitary laundries. A lengthy procession, composed of sympathetic Railway Workers, Cabmen, Journeymen Tailors, Gas Stokers, House Decorators, Carpenters, &c., &c., alt with resplendent banners and hired bands, has marched into the Park, together with some lorries and drags containing deputations of ladies from the laundry in the highest possible spirits. Once arrived, each platform chiefly concerns itself with the grievances of its own particular supporters, while a crowd of sightseers circulates, enjoying the oratory with a desultory impartiality. The usual silhouettes of gesticulating speakers appear like jerky clockwork figures above the throng. A crowd of Socialists are "remembering Chicago" in a corner. The chief centre of attraction is a drag occupied by a Philanthropic Young lady Chairwoman, her chaperon, some leading laundresses, one or two male sympathisers, and a couple of reporters. The Chairwoman conducts the proceedings with the greatest possible tact and grace, but is slightly hampered by the levity of a crowd composed of factory girls, semi imbecile larrikins, and professional laundresses, whose burning anxiety for reform masks itself under a surface frivolity... Continue reading book >>