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Romance Novels |
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By: Nellie L. McClung (1873-1951) | |
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By: Harriet T. (Harriet Theresa) Comstock (1860-) | |
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By: Margaret Widdemer (1884-1978) | |
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![]() This novel was written by Margaret Widdemer, who won the Pulitzer prize for her collection of poetry in 1919. Phyllis is a 25-years-old children's librarian. She is good at her job. Yet when she sees a girl from her hometown with two children, she discovers she wants more. She marries an invalid who is expected to die. Would she find the love and sense of belonging she craves for? And would he really die? Note: This book is in the public domain in the USA. The author died in 1978 so may still be protected by copyright in many other countries. | |
By: George Randolph Chester (1869-1924) | |
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By: Katherine Cecil Thurston (1875-1911) | |
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By: Margaret Pedler (-1948) | |
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By: Augusta J. Evans (1835-1909) | |
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By: Eleanor M. Ingram (1886-1921) | |
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![]() Faced with inherited debts, an estate to maintain, and no money to pay for either, brothers John and Robert Allard have a difficult decision to make. How much of their integrity are they willing to compromise in order to save their aunt and cousin from a life of poverty and to preserve "all that they call life"? Two young men with a classical education, no trade, and no outstanding talents have little chance to make the fortune they need while staying on the right side of the law. Especially as they only have six months..... ( |
By: H. A. (Hiram Alfred) Cody (1872-1948) | |
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By: Honoré Morrow (1880-1940) | |
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By: John Philip Sousa (1854-1932) | |
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By: Henry Harland (1861-1905) | |
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By: Ethel Hueston (1887-) | |
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By: Margaret M. (Margaret Murray) Robertson (1821-1897) | |
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By: Clara Louise Burnham (1854-1927) | |
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By: Mary Cholmondeley (1859-1925) | |
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By: Will Lillibridge (1878-1909) | |
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![]() Unhappy wife leaves marriage of convenience for another man, the couple running away to the Dakota prairie to set up housekeeping. All seems romantically well... until the ex shows up. Surprisingly modern (if a little theatrical) novella from the early 1900's. From the posthumous collection of Lillibridge short stories, A Breath of Prairie, 1911. |
By: August von Kotzebue (1761-1819) | |
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![]() Lovers' Vows (1798), a play by Elizabeth Inchbald arguably best known now for having been featured in Jane Austen's novel Mansfield Park (1814), is one of at least four adaptations of August von Kotzebue's Das Kind der Liebe (1780; literally "Child of Love," or "Natural Son," as it is often translated), all of which were published between 1798 and 1800. Inchbald's version is the only one to have been performed. Dealing as it does with sex outside marriage and illegitimate birth, Inchbald in the Preface to the published version declares herself to have been highly sensitive to the task of adapting the original German text for "an English audience... |
By: Anne Douglas Sedgwick (1873-1935) | |
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By: Sarojini Naidu (1879-1949) | |
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![]() Sarojini Naidu was a remarkable woman. Known as the Nightingale of India, she started writing at the age of thirteen and throughout her life composed several volumes of poetry, writing many poems which are still famous to this day. As well as being a poet, Naidu was an activist and politician, campaigning for Indian independence and became the first Indian woman to attain the post of President of the Indian National Congress. This volume contains the beautiful 'Indian Love-Song', as well as many other moving verses... |
By: Henry Russell Miller (1880-1955) | |
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By: Charles Garvice (-1920) | |
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By: Ross Beeckman | |
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By: W. J. (William James) Dawson (1854-1928) | |
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By: Seth Curtis Beach (1837-1932) | |
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By: Henry Theophilus Finck (1854-1926) | |
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By: Mary Keith Medbery Mackaye (1845-1924) | |
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![]() Pride and Prejudice, a comedy of manners and marriage, is the most famous of Jane Austen's novels. In this dramatic adaption by Mary Keith Medbery Macakaye some liberties are taken with the storyline and characters, but it is still a fun listen or read. Perhaps a good introduction for someone not ready to tackle the complete novel ~ and for the reader familiar with the work, a laugh can be had at the changes that were made in order to adapt it to the stage |