Jowett, in his always informative introduction, sees this dialogue as transitional between the early and middle dialogues. Socrates meets with Protagoras and other sophists and pursues his inquiry into virtue. The dialectic brings the thinkers to a surprising ending. Socrates narrates this dialogue.

"Prometheus Bound" is the only complete tragedy of the Prometheia trilogy, traditionally assumed to be the work of Aeschylus. Jupiter has turned against Prometheus for protecting mankind and has ordered him to be chained to a rock. But Prometheus is comforted by his knowledge of a way to bring about the downfall of Jupiter.

Athens is in a sorry state of affairs. The great tragedian, Euripides, is dead, and Dionysus, the god of the theater, has to listen to third-rate poetry. So, he determines to pack his belongings onto his trusty slave, Xanthias, and journey to the underworld to bring back Euripides! Hi-jinks ensue.

The Aeneid is the most famous Latin epic poem, written by Virgil in the 1st century BC. The story revolves around the legendary hero Aeneas, a Trojan prince who left behind the ruins of his city and led his fellow citizens to Italy, where he became the ancestor of the Romans. The first six of the poem’s twelve books tell the story of Aeneas’ wanderings from Troy to Italy, while the poem’s second half treats the Trojans’ victorious war upon the Latins. This is the recording of J.W.MacKail's prose translation.

Statesman (Ancient Greek: Πολιτικός) discusses God's role in maintaining the universe and describes the statesman as a good shepherd who promotes intermarriage between the orderly and courageous.

Sophist (Ancient Greek: Σοφιστής) discusses being and not-being while drawing a distinction between the philosopher and the sophist.

This is an incomplete dialogue from the late period of Plato's life. Plato most likely created it after Republic and it contains the famous story of Atlantis, that Plato tells with such skill that many have believed the story to be true. Critias, a friend of Socrates, and uncle of Plato was infamous as one of the bloody thirty tyrants.

Cratylus (ΚΡΑΤΥΛΟΣ) discusses whether things have names by mere convention or have true names which can only be correctly applied to the object named and may have originated from God.

Charmides (Χαρμίδης) discusses the virtue of temperance.

Laches (Λάχης) discusses examples of courage including weapons masters, soldiers who stand firm in battle, ferocious animals and the wise person who endures evils.

As Jowett relates in his brilliant introduction, 95% of Plato's writing is certain and his reputation rests soundly on this foundation. The Alcibiades 1 appears to be a short work by Plato with only two characters: Socrates and Alcibiades. This dialogue has little dramatic verisimilitude but centres on the question of what knowledge one needs for political life. Like the early dialogues, the question is on whether the virtues needed by a statesman can be taught, on the importance of self-knowledge as a starting point for any leader...

Philebus (ΦΙΛΗΒΟΣ) discusses pleasure, wisdom, soul and God.

Lysis (Λύσις) discusses friendship and love between the good and bad.

Menexenus (ΜΕΝΕΞΕΝΟΣ) is thought to have been written by Plato (ΠΛΑΤΩΝ). The dialogue consists of Socrates (ΣΩΚΡΑΤΗΣ) recounting a funeral oration he claims to have learned from the female philosopher Aspasia (ΑΣΠΑΣΙΑ) who may have been wealthy, a courtesan or both.

Euthydemus (Εὐθύδημος) and Dionysodorus the sophists discuss the meaning of words with Socrates.

The apparent sacrifice of Iphigenia at Aulis by her own father Agamemnon was forestalled by the godness Artemis, who by an adroit sleight of hand that fooled all participants, substituted a deer for the daughter. Wafted magically away to the “Friendless Shores” of savage Tauris and installed as chief priestess presiding over the human sacrifice of all luckless foreigners, Iphigenia broods over her “murder” by her parents and longs for some Greeks to be shipwrecked on her shores so she can wreak a vicarious vengeance on them...

Alcestis is the earliest surviving play by Euripides. Alcestis, the devoted wife of King Admetus, has agreed to die in his place, and at the beginning of the play she is close to death. In the first scene, Apollo argues with Thanatos (Death), asking to prolong Alcestis' life, but Thanatos refuses. Apollo leaves, but suggests that a man will come to Pherae who will save Alcestis. Euripides' play is perhaps the most unusual Greek drama ever written: a tragedy that is not a tragedy.

This work may not be by Plato, or his entirely, but Jowett has offered his sublime translation, and seems to lean towards including it in the canon. Socrates tempted by irony to deflate the pretentious know-it-all Hippias, an arrogant polymath, appears to follow humour more than honour in this short dialogue.

Eryxias (ΕΡΥΞΙΑΣ) may not have been written by Plato (ΠΛΑΤΩΝ). The dialogue discusses whether wealth has value and what the aim of philosophy should be.

We have followed the Grammars of Kühner, known as his "Large" and "School" Grammars. [...] Omitting the learned dissertations and numerous details of the original, we have endeavored to furnish to the student, in a concise and simple form, whatever is of general application." (From the Foreword by Charles O'Leary)

Jack O'Neill, an Irishman, has just returned from a month's holiday in The Netherlands. Before he left, he had boasted to his friends that he would learn the Dutch language within a fortnight. On his return, he has to admit that it wasn't quite that easy... He tells his friends stories about his clumsy attempts to speak Dutch, leading to many funny scenes.This audiobook contains both "An Irishman's difficulties with the Dutch language" and its sequel "Jack O'Neill's further adventures in Holland"...

This is a basic grammar, treating of the parts of speech, syntax, versification, pronunciation and punctuation. The listener is warned that there is quite a dated feel about this little grammar as the author, in keeping with the times (1840), is a frightful snob about social classes, scathing about 'vulgar speech' and also sometimes quite rude about American turns of phrase. The author is not remotely as comical as he thinks he is, but it has its moments.

I address myself to the man or woman of talent—those people who have writing ability, but who need instruction in the manipulation of characters, the formation of plots, and a host of other points with which I shall deal hereafter. Although no school could turn out novelists to order there is yet enough common material in all art-work to be mapped out in a course of lessons. I shall show that the two great requisites of novel-writing are (1) a good story to tell, and (2) ability to tell it effectively...

This is a collection of 23 essays based on interviews conducted by Joyce Kilmer with some of the most famous authors of the time . Kilmer's idea, as outlined in the Introduction, was that there is a deep divide between those who write literature, and those who write about literature. He thus bridges the gap and asks authors, the 'makers' as mentioned in the title of the work, about their opinion about various topics. - Summary by Carolin

For one, I have never been one of those who apologize for my frank and never-ending delight in mystery stories. Their mazes have led me unwearied through miles of printed pages, and if only the problem has been worth while, and its pursuit has led along surprising ways, past shuddery thickets and over fearsome bridges, my soul has returned to sober affairs refreshed and content. In a word, here is a remarkable volume which shows us how the wheels go round, not by dogmatic statement, but by an amazing breadth and variety of citation and quotation, showing not only what great mystery writers have thought of their art, but illustrating by apposite examples how they secured their effects...

The Columbian Orator, a collection of political essays, poems, and dialogues first published in 1797, was widely used in American schoolrooms in the first quarter of the 19th century to teach reading and speaking. Typical of many readers of that period, the anthology included many speeches celebrating "republican virtues" and promoting patriotism. The Columbian Orator is an example of progymnasmata, containing examples for students to copy and imitate. In his Narrative of the Life of Frederick Douglass, former slave and abolitionist writer Douglass describes how he "got hold" of a copy of the Columbian Orator at the age of twelve, with far-reaching consequences for his life...

This collection of the 195 known, publicly-printed speeches of Mark Twain was compiled by Paul Fatout and published by the University of Iowa Press. The speeches are in the Public Domain, and our thanks go to the University of Iowa for making them available for this Public Domain audio recording. They were compiled in the University of Iowa Press book entitled "Mark Twain Speaking" and are arranged, chronologically, from Twain's first authenticated public speech in 1864, to his last speech, exactly 7 months before he died. Extensive analysis , notes, appendix and index are included in the printed work. - Summary by John Greenman

"I am of the company of book men who read simply for the love of it," confesses E. Walter Walters, in this gently written tome. Walters documents his habit of "book fishing--" seeking and finding quality volumes in the discount binds at his booksellers, and as a connoisseur of wine might match varieties with courses, he matches his books with the contexts in which he reads them--in the garden, in the bedroom, with friends. He also provides a list of his favorite authors and favorite books, as well as favorite characters from the books he has read, not in a way to impose his choices on other readers, but to share his own personal experiences.

English as She is Spoke is a 19th century Portuguese-to-English phrasebook that has become a classic of absurdist humor, owing chiefly to the apparent fact that its writer had absolutely no knowledge of English. It is thought that for utterly obscure reasons its unknown author, Pedro Carolino, used a dictionary to translate Portuguese words to French, then a second dictionary to convert French to English, producing an incoherent but hilarious result. Mark Twain said of this book, "Nobody can add to the absurdity of this book, nobody can imitate it successfully, nobody can hope to produce its fellow; it is perfect." - Summary by J A Carter

Language: we all use it and few of us think about the form it takes on the page. But how did the transmittal of ideas in written form evolve from Egyptian hieroglyphics to the ABCs in use in most countries around the world today? This work, written by a librarian and scholar, draws on previously published works and also direct correspondence with archaeologists still uncovering secrets in Egypt and Mesopotamia. Her death left this work unfinished, but others were able to polish it for publication. - Summary by Lynne Thompson

"It was part of my daily work, for a good many years, to read the principal English newspapers and reviews; it has been part of my work, all the time, to read the more important English novels, essays, poetry and criticism. An American born and bred, I early noted, as everyone else in like case must note, certain salient differences between the English of England and the English of America as practically spoken and written—differences in vocabulary, in syntax, in the shades and habits of idiom, and even, coming to the common speech, in grammar...

Poe’s famous narrative poem and the author’s reflections on its composition.