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By: Julia Darrow Cowles (1862-1919) | |
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Art of Story-Telling, with nearly half a hundred stories
In preparing this book the author has sought to awaken a keener perception and a higher appreciation of the artistic and ethical value of story-telling; to simplify some of its problems; to emphasize the true delight which the story-teller may share with her hearers; and to present fresh material which answers to the test of being good in substance as well as in literary form. - Summary by From the preface |
By: Frederick Wedmore (1844-1921) | |
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Four Masters of Etching
Frederick Wedmore presents short vignettes of influential artists of the 19th century who were noted for their mastery of etching: Seymour Haden, Jules Jacquemart, J. A. M. Whistler, and Alphonse Legros. - Summary by Larry Wilson |
By: Margaretta Archambault (1856-1956) | |
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Guide Book of Art, Architecture, and Historic Interests in Pennsylvania
This book was curated by the State Federation of Pennsylvania Women for tourists' use on a journey to Pennsylvania. Each of Pennsylvania's 67 counties has its own chapter, discussing beautiful art and buildings that may be found there . These chapters were each written by a knowledgeable person from that county. While details are often sparse, the guide is an excellent starting point for individuals who wish to learn more about local history of Pennsylvania. Note: While the book was compiled in 1917, the first world war prevented its publication until 1924... | |
By: Clayton Hamilton (1881-1946) | |
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Problems of the Playwright
A third volume of essays by American critic Clayton Hamilton, published as a companion piece to The Theory of the Theatre & Studies in Stagecraft, and focusing on the problems of the playwright. |
By: Theodore Dreiser (1871-1945) | |
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Color of a Great City
Theodore Dreiser was highly acclaimed for his novels and other writing. This non-fiction work takes place in many areas of New York City in the early 20th Century. Dreiser writes of lives packed into cramped tenements, of the likely end, but perhaps not, of an affair, of those who guided ships through turbulent waters, and of life in a home for retired seamen. We're taken to the new subways where track workers risked deadly accidents as they struggled to earn a living. Animal slaughter, the glory and heartbreak of song-writing, the shabby "sandwich man", deadly jealousy in Little Italy, and much more is vividly brought to life by this brilliant author. |
By: Thomas Carr Howe (1904-1994) | |
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Salt Mines and Castles: The Discovery and Restitution of Looted European Art
"From May 1945 until February 1946, I served as a Monuments, Fine Arts and Archives Officer in Germany. During the first four months of this assignment, I was engaged in field work which included the recovery of looted works of art from such out-of-the-way places as a monastery in Czechoslovakia, a salt mine in Austria, and a castle in Bavaria. Later, as Deputy Chief of the Monuments, Fine Arts and Archives Section, Office of Military Government, U. S. Zone, I participated in the restitution of recovered art treasures to the countries of rightful ownership... |
By: John Poole Sandlands (1838-1915) | |
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Voice and Public Speaking
I write for public speakers. I wish to take them into my confidence. I feel I can do them good. My object is to help them to speak with greater ease and efficiency. When the voice is developed and in a condition to answer the calls made upon it, then it will naturally seek to put its powers into operation.... Develop the powers of the voice and it will not be satisfied till it find scope for their exercise. This is a marvellous feature of the human voice, and yet, perhaps, it is more or less common to all the powers we possess... |
By: Irving Pichel (1891-1954) | |
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On Building a Theatre
As people live in a house, Or work, day after day, in a store or factory or public building, they become used to inconveniences, bad arrangement, and lack of proper facilities. They complain for a time, perhaps, and then forget. And after a while, when the house has become home, or the large building has gathered tradition, a sort of admiration settles upon it. What is really plain ugly or wrong or bad appears quaint and full of "atmosphere." And is imitated. Style and tradition embalm the very features that make the building a bad building... |
By: Various | |
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Art in Australia, No. 1, 1916
In 1916, three prominent identities in the Sydney art world - Sydney Ure Smith, Bertram Stevens and Charles Lloyd Jones - got together to publish Australia's first art magazine. Their aim was to make the work of Australian artists know to the Australian public, and, through high quality reproductions, to give an idea of its quality to those who were unable to see the originals. All of the 102 issues of Art in Australia, published between 1916 and 1942 have now been made available, complete with illustrations, on the National Library of Australia's Trove web site... | |
Art in Australia, No. 2, 1917
In 1916, three prominent identities in the Sydney art world - Sydney Ure Smith, Bertram Stevens and Charles Lloyd Jones - got together to publish Australia's first art magazine. Their aim was to make the work of Australian artists known to the Australian public, and, through high quality reproductions, to give an idea of its quality to those who were unable to see the originals. All of the 102 issues of Art in Australia, published between 1916 and 1942 have now been made available, complete with illustrations, on the National Library of Australia's Trove web site... |