Through the Wall By: Cleveland Moffett (1863-1926)
Through the Wall by Cleveland Moffett is a captivating thriller that seamlessly blends elements of suspense, mystery, and psychological exploration. Set in the early 1900s, the story revolves around a unique concept – telepathic communication and its potential implications on the human mind. The narrative unfolds with the introduction of the protagonist, Philip Strange, an accomplished scientist who becomes entangled in an extraordinary experiment. Strange, driven by his insatiable curiosity, embarks on a journey to investigate a phenomenon known as "Telepathic Projection." As he delves deeper into the world of the mind, he encounters a mysterious character named Bergson, whose abilities seem to transcend the boundaries of conventional science. Moffett's writing style is both evocative and immersive, effortlessly transporting readers to a bygone era. With meticulous attention to detail, he creates a richly atmospheric backdrop that enhances the overall reading experience. The period-specific descriptions, vividly portraying the street scenes and drawing-room conversations, evoke a sense of authenticity and allow readers to truly immerse themselves in the story. Throughout the book, Moffett masterfully explores the psychological ramifications of telepathy and the fragile nature of the human psyche. As Philip Strange delves deeper into the world of telepathic projection, he becomes increasingly consumed by the ethical dilemmas that arise. The author adeptly tackles themes of ambition, power, and moral responsibility, forcing readers to ponder the potential consequences of unlocking the secrets of the mind. Moreover, Moffett's character development is noteworthy. From Philip Strange's relentless pursuit of knowledge to Bergson's enigmatic persona, each character is crafted with precision and complexity. Their motivations and inner struggles are laid bare, allowing readers to forge an emotional connection with them. These multidimensional characters breathe life into the narrative, making it even more compelling. The pace of the story is consistent, with a well-crafted balance between suspenseful moments and intellectual exploration. The tension builds gradually, keeping readers on the edge of their seats, and the plot twists and turns add an unpredictable element that heightens the overall excitement. Moffett skillfully weaves together multiple storylines, gradually peeling back layer after layer to uncover the truth, ensuring the reader's constant engagement. Although Through the Wall is undoubtedly an enthralling read, some readers may find the plot's complexity overwhelming at times. Moffett occasionally delves deep into scientific explanations and philosophical musings, which may require some patience and concentration. However, for those who enjoy intellectually stimulating narratives, these moments of introspection will be a delight. In conclusion, Through the Wall is a thought-provoking and eloquently written novel that combines elements of mystery and science fiction. Moffett's ability to transport readers to a different era and his skill in crafting a compelling story make this book an engaging read for anyone who appreciates a blend of intellectual intrigue and psychological exploration. First Page: THROUGH THE WALL BY CLEVELAND MOFFETT AUTHOR OF THE BATTLE, ETC. With Illustrations by H. HEYER NEW YORK 1909 TO MY WIFE AND OUR DELIGHTFUL PARIS HOME IN THE VILLA MONTMORENCY, WHERE THIS BOOK WAS WRITTEN C. M. NEW YORK, AUGUST 1, 1909. CONTENTS CHAPTER I. A BLOOD RED SKY II. COQUENIL'S GREATEST CASE III. PRIVATE ROOM NUMBER SIX IV. "IN THE NAME OF THE LAW" V. COQUENIL GETS IN THE GAME VI. THE WEAPON VII. THE FOOTPRINTS VIII. THROUGH THE WALL IX. COQUENIL MARKS HIS MAN X. GIBELIN SCORES A POINT XI. THE TOWERS OF NOTRE DAME XII. BY SPECIAL ORDER XIII. LLOYD AND ALICE XIV. THE WOMAN IN THE CASE XV. PUSSY WILMOTT'S CONFESSION XVI. THE THIRD PAIR OF BOOTS XVII. "FROM HIGHER UP" XVIII. A LONG LITTLE FINGER XIX. TOUCHING A YELLOW TOOTH XX. THE MEMORY OF A DOG XXI. THE WOOD CARVER XXII. AT THE HAIRDRESSER'S XXIII. GROENER AT BAY XXIV. THIRTY IMPORTANT WORDS XXV. THE MOVING PICTURE XXVI. COQUENIL'S MOTHER XXVII. THE DIARY XXVIII. A GREAT CRIMINAL XXIX. THE LOST DOLLY XXX. MRS. LLOYD KITTREDGE LIST OF ILLUSTRATIONS "'We'll show 'em, eh, Caesar?'" "'Alice,' he cried ... 'Say it isn't true'" "'I want you,' he said in a low voice" "'I didn't resign ; I was discharged'" "On the floor lay a man" "'Ask Beau Cocono,' he called back" "'Alice, I am innocent'" "'Have one?' said M... Continue reading book >>

Through the Wall By: Cleveland Moffett (1863-1926)

Through the Wall by Cleveland Moffett is a captivating thriller that seamlessly blends elements of suspense, mystery, and psychological exploration. Set in the early 1900s, the story revolves around a unique concept – telepathic communication and its potential implications on the human mind.

The narrative unfolds with the introduction of the protagonist, Philip Strange, an accomplished scientist who becomes entangled in an extraordinary experiment. Strange, driven by his insatiable curiosity, embarks on a journey to investigate a phenomenon known as "Telepathic Projection." As he delves deeper into the world of the mind, he encounters a mysterious character named Bergson, whose abilities seem to transcend the boundaries of conventional science.

Moffett's writing style is both evocative and immersive, effortlessly transporting readers to a bygone era. With meticulous attention to detail, he creates a richly atmospheric backdrop that enhances the overall reading experience. The period-specific descriptions, vividly portraying the street scenes and drawing-room conversations, evoke a sense of authenticity and allow readers to truly immerse themselves in the story.

Throughout the book, Moffett masterfully explores the psychological ramifications of telepathy and the fragile nature of the human psyche. As Philip Strange delves deeper into the world of telepathic projection, he becomes increasingly consumed by the ethical dilemmas that arise. The author adeptly tackles themes of ambition, power, and moral responsibility, forcing readers to ponder the potential consequences of unlocking the secrets of the mind.

Moreover, Moffett's character development is noteworthy. From Philip Strange's relentless pursuit of knowledge to Bergson's enigmatic persona, each character is crafted with precision and complexity. Their motivations and inner struggles are laid bare, allowing readers to forge an emotional connection with them. These multidimensional characters breathe life into the narrative, making it even more compelling.

The pace of the story is consistent, with a well-crafted balance between suspenseful moments and intellectual exploration. The tension builds gradually, keeping readers on the edge of their seats, and the plot twists and turns add an unpredictable element that heightens the overall excitement. Moffett skillfully weaves together multiple storylines, gradually peeling back layer after layer to uncover the truth, ensuring the reader's constant engagement.

Although Through the Wall is undoubtedly an enthralling read, some readers may find the plot's complexity overwhelming at times. Moffett occasionally delves deep into scientific explanations and philosophical musings, which may require some patience and concentration. However, for those who enjoy intellectually stimulating narratives, these moments of introspection will be a delight.

In conclusion, Through the Wall is a thought-provoking and eloquently written novel that combines elements of mystery and science fiction. Moffett's ability to transport readers to a different era and his skill in crafting a compelling story make this book an engaging read for anyone who appreciates a blend of intellectual intrigue and psychological exploration.

First Page:

THROUGH THE WALL

CLEVELAND MOFFETT

AUTHOR OF

THE BATTLE, ETC.

With Illustrations by

H. HEYER

NEW YORK 1909

MY WIFE

AND OUR DELIGHTFUL PARIS HOME IN THE

VILLA MONTMORENCY, WHERE THIS

BOOK WAS WRITTEN

C. M.

NEW YORK, AUGUST 1, 1909.

CONTENTS

CHAPTER

I. A BLOOD RED SKY II. COQUENIL'S GREATEST CASE III. PRIVATE ROOM NUMBER SIX IV. "IN THE NAME OF THE LAW" V. COQUENIL GETS IN THE GAME VI. THE WEAPON VII. THE FOOTPRINTS VIII. THROUGH THE WALL IX. COQUENIL MARKS HIS MAN X. GIBELIN SCORES A POINT XI. THE TOWERS OF NOTRE DAME XII. BY SPECIAL ORDER XIII. LLOYD AND ALICE XIV. THE WOMAN IN THE CASE XV. PUSSY WILMOTT'S CONFESSION XVI. THE THIRD PAIR OF BOOTS XVII. "FROM HIGHER UP" XVIII. A LONG LITTLE FINGER XIX. TOUCHING A YELLOW TOOTH XX. THE MEMORY OF A DOG XXI. THE WOOD CARVER XXII. AT THE HAIRDRESSER'S XXIII. GROENER AT BAY XXIV. THIRTY IMPORTANT WORDS XXV. THE MOVING PICTURE XXVI. COQUENIL'S MOTHER XXVII. THE DIARY XXVIII. A GREAT CRIMINAL XXIX. THE LOST DOLLY XXX. MRS. LLOYD KITTREDGE

LIST OF ILLUSTRATIONS

"'We'll show 'em, eh, Caesar?'" "'Alice,' he cried ... 'Say it isn't true'" "'I want you,' he said in a low voice" "'I didn't resign ; I was discharged'" "On the floor lay a man" "'Ask Beau Cocono,' he called back" "'Alice, I am innocent'" "'Have one?' said M... Continue reading book >>

Genres for this book
Literature
Mystery

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