The Sculpture and Mural Decorations of the Exposition A Pictorial Survey of the Art of the Panama-Pacific international exposition By: Stella George Stern Perry (1877-1956) |
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The Sculpture and Mural Decorations of the Exposition is a breathtaking pictorial survey of the art showcased at the Panama-Pacific International Exposition. Authored by Stella George Stern Perry, this book offers a unique and visually captivating journey through the diverse range of sculptures and murals that adorned the exposition.
From the very beginning, it is evident that Perry's love and passion for art shine through her writing. Her descriptive language brings to life the grandeur and splendor of the sculptures and murals, transporting readers to the vibrant world of the exposition. She meticulously examines each piece, providing insightful analyses that delve into the artist's intentions, techniques, and historical context.
One of the book's notable strengths is its vast and comprehensive coverage of various art forms. Perry does not limit her exploration to sculptures alone but also includes murals, showcasing the immense talent and creativity displayed at the exposition. Whether it's the exquisitely carved marble statues, the intricately designed fountains, or the visually stunning murals, every aspect of the exposition's artistic landscape is meticulously documented.
Furthermore, this book serves not only as a visual feast for art enthusiasts but also as a historical record of a significant event. Perry skillfully contextualizes each artwork within the broader framework of the Panama-Pacific International Exposition, highlighting the social, cultural, and political backdrop against which the art was created. In doing so, she successfully captures the spirit of the exposition and provides readers with a deeper understanding of the artistic achievements of the time.
The inclusion of high-quality photographs throughout the book is a testament to Perry's dedication to capturing the essence of each sculpture and mural. The detailed images allow readers to appreciate the intricate details, marvel at the craftsmanship, and grasp the overall impact of the artwork. Combined with Perry's insightful commentary, the photographs serve as a visual companion that enhances the reading experience.
However, while the book is undoubtedly a commendable effort, it may lack a certain level of accessibility. Perry's language, at times, tends to be more academic and specialized, which may deter readers who are not well-versed in the world of art history. Additionally, the absence of a clear organization or thematic structure could make it challenging for readers to navigate through the extensive collection of sculptures and murals.
Nevertheless, The Sculpture and Mural Decorations of the Exposition is an invaluable resource for anyone interested in the vibrant art scene of the Panama-Pacific International Exposition. Stella George Stern Perry's keen eye for detail, historical insights, and stunning visual documentation make this book an absolute must-read for art enthusiasts, historians, and anyone seeking to explore a momentous period in art history. The Sculpture and Mural Decorations of the Exposition A Pictorial Survey of the Art of the Panama Pacific International Exposition Described by Stella G. S. Perry With an Introduction by A. Stirling Calder, N. A. Acting Chief of Sculpture of the Exposition Paul Elder and Company Publishers San Francisco Copyright, 1915, by Paul Elder & Company San Francisco The courtesy of the Cardinell Vincent Company, official photographers of the Panama Pacific International Exposition, of granting permission to reproduce the selection of official photographs appearing in this volume, is gratefully acknowledged. To the Memory of Karl Bitter When I have fears that I may cease to be Before my pen has glean'd my teeming brain, Before high piled books, in charactery, Hold like rich garners the full ripen'd grain; When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour, That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love; then on the shore Of the wide world I stand alone, and think Till love and fame to nothingness do sink... Continue reading book >>
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