How to Write a Play Letters from Augier, Banville, Dennery, Dumas, Gondinet, Labiche, Legouvé, Pailleron, Sardou and Zola   By: Dudley H. (Dudley Howe) Miles (1881-)

Dudley H. Miles' "How to Write a Play Letters from Augier, Banville, Dennery, Dumas, Gondinet, Labiche, Legouvé, Pailleron, Sardou and Zola" is an exceptional collection of letters that sheds light on the art of playwriting. Miles, a renowned playwright himself, provides a unique insight into the minds of some of the greatest French playwrights of the 19th century.

Through this compilation, readers are given a backstage pass into the creation process of these legendary figures. The letters serve as a fascinating window into their thoughts, struggles, and triumphs as they navigate the complexities of playwriting and theater production. From Auguste Vacquerie's letter discussing the challenges of adapting a novel for the stage to Victorien Sardou's humorous anecdotes about the creative process, each writer's voice resonates with authenticity and expertise.

Miles' careful selection and arrangement of these letters ensure that readers are taken on a journey through various aspects of playwriting. From character development to plot structure, from dialogue to staging, this book covers every fundamental element of creating a successful play. Each letter delves into specific topics, making it an ideal resource for aspiring playwrights as well as theater enthusiasts.

Furthermore, the letters are not limited to the technical side of playwriting; they also explore the social and cultural context in which these playwrights thrived. Their discussions on societal issues, censorship, and the evolving tastes of audiences provide a broader perspective on the theater scene during that time. This adds depth to the book, making it an intriguing blend of historical documentation and practical advice.

One aspect that stands out in Miles' compilation is his ability to capture the unique voice of each playwright. The letters are presented in a way that preserves their distinct writing styles, allowing readers to truly grasp their individual personalities. This personal touch lends an intimacy to the letters, making it feel as though we are engaging in a conversation with these legendary figures rather than merely reading their words.

While this book primarily targets playwrights and theater enthusiasts, it holds value for anyone interested in literature and the creative process. Miles' comprehensive introduction and insightful commentary further enhance the overall experience, making it a highly informative and engaging read.

In conclusion, "How to Write a Play Letters from Augier, Banville, Dennery, Dumas, Gondinet, Labiche, Legouvé, Pailleron, Sardou, and Zola" is an exceptional anthology that offers a rare glimpse into the brilliance of French playwrights of the 19th century. Dudley H. Miles' curation of letters, combined with his own expertise as a playwright, makes this book an invaluable resource for understanding the art of playwriting. Whether you aspire to be a playwright or simply appreciate the theater, this collection is a must-read that will both educate and entertain.

First Page:

The impression has always prevailed with me that one who might properly be classed as a genius is not precisely the person best fitted to expound rules and methods for the carrying on of his particular branch of endeavor. I have rather avoided looking the matter up for fear it might not turn out to be so after all. But doesn't it sound as if it ought to be? And isn't a superficial glance about rather confirmatory? We do not so far as I know find that Shakspere or Milton or Tennyson or Whitman ever gave out rules and regulations for the writing of poetry; that Michael Angelo or Raphael was addicted to formulating instructive matter as to the accomplishment of paintings and frescoes; that Thackeray or Dickens or Meredith or George Sand were known to have answered inquiries as to 'How to write a Novel'; or that Beethoven or Wagner or Chopin or Mendelsohn paused in the midst of their careers in order to tell newspaper men what they considered the true method of composing music... Continue reading book >>