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Citation and Examination of William Shakspeare, Euseby Treen, Joseph Carnaby, and Silas Gough, Clerk   By: (1775-1864)

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In "Citation and Examination of William Shakspeare, Euseby Treen, Joseph Carnaby, and Silas Gough, Clerk," Walter Savage Landor embarks on a thought-provoking journey that challenges the established notions surrounding William Shakespeare's authorship and existence. The book is a unique blend of historical fiction and philosophical exploration, where Landor fictionalizes a scholarly dispute between four individuals regarding Shakespeare's works.

Landor cleverly presents this dispute in the form of a mock trial, where Shakspeare, Treen, Carnaby, and Gough take turns presenting their arguments before the reader, acting as judge and jury. By structuring the book in this manner, Landor adeptly fuses legal and literary elements, creating an atmosphere of intellectual rigor and debate. This approach allows readers to contemplate the intriguing question of whether Shakespeare was the true author of the renowned works attributed to him.

Throughout the book, Landor's writing shines as he weaves together captivating dialogue, which reflects the diverse perspectives on Shakespeare's authorship. Each character possesses a distinct voice and reasoning, exposing the multifaceted nature of this debate. Shakspeare, who defends his authorship, presents himself as a humble yet passionate writer, while Treen, Carnaby, and Gough pose thought-provoking arguments questioning Shakespeare's ability to produce such profound literary masterpieces.

The strength of this book lies in Landor's ability to skillfully delve into the minds of these characters, bringing nuance and depth to their discussions. As readers, we are prompted to question our own preconceived notions and evaluate the evidence presented by each participant. The captivating exchange between them challenges us to reevaluate the significance and authenticity of Shakespeare's works.

Furthermore, Landor's prose is elegant and refined, employing a distinct style that captures the essence of the era and the personalities involved. His keen attention to historical details creates an immersive experience for the reader, transporting us to a time where the authenticity of Shakespeare's works was a subject of passionate debate.

However, despite the book's compelling premise and intellectual merit, at times it can feel overwhelming and repetitive. The continuous legalistic back-and-forth may deter some readers, who might have preferred a more concise exploration of the topic. In addition, Landor's narrative style can be dense and requires dedicated attention, making this book less accessible for casual readers seeking a light or fast-paced experience.

In conclusion, "Citation and Examination of William Shakspeare, Euseby Treen, Joseph Carnaby, and Silas Gough, Clerk" is a remarkable and thought-provoking work. Walter Savage Landor demonstrates his profound understanding of Shakespeare's legacy by engaging readers in a captivating fictional trial that challenges established beliefs. Though not suited for those seeking a light read, this book serves as a valuable resource for anyone intrigued by the mysterious origins of Shakespearean literature and the power of critical examination.

First Page:

CITATION AND EXAMINATION OF WILLIAM SHAKESPEARE EUSEBY TREEN JOSEPH CARNABY AND SILAS GOUGH CLERK BEFORE THE WORSHIPFUL SIR THOMAS LUCY KNIGHT TOUCHING DEER STEELING On the Nineteenth Day of September in the Year of Grace 1582 NOW FIRST PUBLISHED FROM ORIGINAL PAPERS

EDITOR'S PREFACE.

"It was an ancestor of my husband who BROUGHT OUT the famous Shakspeare."

These words were really spoken, and were repeated in conversation as most ridiculous. Certainly such was very far from the lady's intention; and who knows to what extent they are true?

The frolic of Shakspeare in deer stealing was the cause of his Hegira; and his connection with players in London was the cause of his writing plays. Had he remained in his native town, his ambition had never been excited by the applause of the intellectual, the popular, and the powerful, which, after all, was hardly sufficient to excite it. He wrote from the same motive as he acted, to earn his daily bread. He felt his own powers; but he cared little for making them felt by others more than served his wants.

The malignant may doubt, or pretend to doubt, the authenticity of the Examination here published. Let us, who are not malignant, be cautious of adding anything to the noisome mass of incredulity that surrounds us; let us avoid the crying sin of our age, in which the "Memoirs of a Parish Clerk," edited as they were by a pious and learned dignitary of the Established Church, are questioned in regard to their genuineness; and even the privileges of Parliament are inadequate to cover from the foulest imputation the imputation of having exercised his inventive faculties the elegant and accomplished editor of Eugene Aram's apprehension, trial, and defence... Continue reading book >>




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